Fairy Tales and Fairies and Fae (Oh, My)
Thomas Keightley indicated that the word 'fairy' derived from the Old French faerie, denoting enchantment. Fae is not related to the Germanic fey, or fated to die. Some authors don't distinguish between Fae and fairies. Other authors define Fae as any inhabitants of Faërie, be they large or small, good or evil. For them, Fae is the broader term encompassing not only fairies, but elves, dwarves, ogres, imps, and all other fantasy creatures. They consider fairies to be Fae who are diminutive and often ethereal, magic-wielding, and/or winged.
|Fairy Islands from Elves and Fairies by Ida Rentoul Outhwaite, 1916|
Fairies of either flavor have been flitting about literature for centuries. Consider Morgan le Fay in Le Morte d'Arthur, Edmund Spenser's The Faerie Queene, Oberon and Titania in Shakespeare's A Midsummer Night's Dream, Tinker Bell in J.M. Barrie's Peter Pan, Holly Short in Eoin Colfer's Artemis Fowl, all the way up to Bloom in Doreen Cronin's eponymously titled picture book and Mabel and the Queen of Dreams (inspired by Queen Mab in Shakespeare's Romeo and Juliet).
C.S. Lewis, J.R.R. Tolkien, and others established fantasy as the subgenre of speculative fiction that employs magical elements set in an alternative world. Tolkien wrote in his essay “On Fairy-Stories” that fairy tales are distinct from traveller's tales (e.g., Gulliver's Travels), science fiction, beast tales (e.g., Aesop's Fables), and dream stories (e.g., Alice in Wonderland). He felt that fairies themselves were not an integral part of the definition of fairy tales. Rather, fairy tales were stories about the adventures of men and fantastic creatures in Faërie, a marvel-filled magical otherworld. By that definition, The Lord of the Rings is a fairy tale.
|By John Bauer from The Boy and the Trolls, 1915|
Regardless of subgenre, I hope readers will find in my story what Tolkien posited for Märchen generally. “Far more powerful and poignant is the effect [of joy] in a serious tale of Faërie. In such stories, when the sudden turn comes, we get a piercing glimpse of joy, and heart's desire, that for a moment passes outside the frame, rends indeed the very web of story, and lets a gleam come through.”
*Two major fairy tale classification systems are Aarne-Thompson and Vladimir Propp's Morphology of the Folk Tale.
**Some notable urban fantasy includes the Kate Daniels series by Ilona Andrews, Modern Faerie Tales series by Holly Black, Dresden Files series by Jim Butcher, Weather Warden series by Rachel Caine, Mortal Instruments series by Cassandra Clare, Neverwhere by Neil Gaiman, The Southern Vampire Mysteries series by Charlaine Harris, The Hollows series by Kim Harrison, The Iron Druid Chronicles by Kevin Hearne, Feral series by Cynthia Leitich Smith, The Wicked Lovely series by Melissa Marr, October Daye series by Seanan McGuire, Marla Mason series by Tim Pratt, Simon Canderous series by Anton Stout, and Borderlands series by Terri Windling.
About Henry Herz:
Henry Herz writes fantasy and science fiction for children. He is represented by Deborah Warren of East/West Literary Agency. He and his sons wrote MONSTER GOOSE NURSERY RHYMES (Pelican, 2015), WHEN YOU GIVE AN IMP A PENNY (Pelican, 2016), MABEL AND THE QUEEN OF DREAMS (Schiffer, 2016), LITTLE RED CUTTLEFISH (Pelican, 2016), and DINOSAUR PIRATES (Sterling, 2017).
Henry and his sons have also indie-published four children's books. NIMPENTOAD reached #1 in Kindle Best Sellers large print sci-fi & fantasy, and was featured in Young Entrepreneur, Wired GeekDad, and CNN. BEYOND THE PALE featured short stories by award-winning and New York Times bestselling authors Saladin Ahmed, Peter S. Beagle, Heather Brewer, Jim Butcher, Rachel Caine, Kami Garcia, Nancy Holder, Gillian Philip & Jane Yolen, and reached #2 in Amazon Science Fiction & Fantasy > Fantasy > Anthologies.
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